DOCTORAL DISSERTATIONS DEFENDED IN OUR PROGRAMME:
2000
Annus Irén. The Structuration of Mormon Identity.
http://doktori.bibl.u-szeged.hu/id/eprint/4314/
Bajner Mária. Text and Gender in Charlotte Bronte’s Novels http://doktori.bibl.u-szeged.hu/id/eprint/4312/
2001
Cristián Réka Mónika. Interface Semiotics in the Dramaturgy of Tennessee Williams and Edward Albee http://doktori.bibl.u-szeged.hu/id/eprint/4760/
2004
Kopár Lilla. The Iconography of Viking-age Stone Sculptures: Visual Evidence of Religious Accomodation in the Anglo-Scandinavian Communities of Northern England http://doktori.bibl.u-szeged.hu/id/eprint/90/
Kovács Ágnes Zsófia. The Power of Imagination: A Contextual Model of Understanding Henry James http://doktori.bibl.u-szeged.hu/id/eprint/98/
2005
Matuska Ágnes. The Vice Device: Iago and Lear’s Fool as Agents of Representational Crisis http://doktori.bibl.u-szeged.hu/id/eprint/283/
Michael Matthew Kaylor. Sanctus Paederasta: A Consideration of the Major Uranians: Hopkins, Pater, Wilde, Johnson and Dolben http://doktori.bibl.u-szeged.hu/279/
2006
Anna Kérchy, Self-freakings. Body-Texts in Angela Carter’s Trilogy: Feminist Grotesque Bodies, Fictionalized Identities, and Somatized Narratives http://doktori.bibl.u-szeged.hu/id/eprint/487/
Róbert Péter, The Mysteries of English Freemasonry: Janus-Faced Masonic Ideology and Practice between 1696 and 1815 http://doktori.bibl.u-szeged.hu/id/eprint/483/
2007
Miklós Péti. Homérosz-értelmezések a 16.-17. századi angol irodalomban http://doktori.bibl.u-szeged.hu/id/eprint/5343/
2010
Zsófia Anna Tóth, The Merry Murderers. The Farcical Re(figuration) of the Femme Fatale in Maurine Dallas Watkins’ “Chicago” and its Various Adaptations http://doktori.bibl.u-szeged.hu/id/eprint/9094/
Péter Bocsor Péter. Paradigms of Authority in the Carver Canon. http://doktori.bibl.u-szeged.hu/611/
2011
Zoltán Dragon, Tennesse Williams Hollywoodba megy, avagy a dráma és a film dialógusa. (Tennessee Williams goes to Hollywood: Dialogue between Drama and Film) http://doktori.bibl.u-szeged.hu/id/eprint/659/
Hegyi Pál: Fehér terek: Paul Auster recepciója a korai művek tükrében http://doktori.bibl.u-szeged.hu/id/eprint/735/
2012
Larisa Zámbóné Kocic, Protean Vicissitude and Milton’s Paradise Lost http://doktori.bibl.u-szeged.hu/id/eprint/1438/
Gergely Nagy. ’Ye olde authour’ Tolkien’s Anatomy of Tradition in the Silmarillion http://doktori.bibl.u-szeged.hu/id/eprint/1515/
Nora Borthaiser, Performing New Cosmos: Enviromental Matters and Disability Issues in Disney’s Animations between 1990-2010 http://doktori.bibl.u-szeged.hu/id/eprint/1464/
2013
Bernáth András. Hamlet, the Ghost and the Model Reader – The Problems of the Reception and a Concept of Shakespeare’s Hamlet. http://doktori.bibl.u-szeged.hu/2315/
2014
Csaba Maczelka. The Uses of Paratextuality and Dialogicity in Early Modern Utopias http://doktori.bibl.u-szeged.hu/id/eprint/2210/
Anikó Oroszlán. “Floute me, Ile floute thee; it is my profession” – Early Modern Improvisation as Resistance. http://doktori.bibl.u-szeged.hu/2053/
Bence Sarkadi. Shakespeare on the Puppet Stage. The Representational Perspecctives and Limits of Adaptation in the Contemporary Puppet Theatre http://doktori.bibl.u-szeged.hu/id/eprint/2438/
2015
Csetényi Korinna, The Metafictional Narrativization of the Traumatized Body and Monstrous Femininity in Stephen King’s Horror Fiction http://doktori.bibl.u-szeged.hu/id/eprint/2689/
2016
Makai Péter Kristóf, Bridging the Empathy Gap – Contemporary Autism Novels. http://doktori.bibl.u-szeged.hu/id/eprint/2876/
Thomas Éva. Grotesque in Use: Shakespearean Grotesques in German Theatre Performances. http://doktori.bibl.u-szeged.hu/2914/
2017
Tóth Andrea, Elmozduló jelentések – A feminista irodalomkritika fogalmainak újragondolása az Éjszakai állatkert és a Szomjas oázis recepciójának tükrében http://doktori.bibl.u-szeged.hu/id/eprint/4113/
2019
Farmasi Lilla, Storytelling and the Perceptions of the Embodied Mind: Space and Movement in Narratives http://doktori.bibl.u-szeged.hu/id/eprint/10314/
Nyikos Dániel Árpád, Colonizing Cynicism in the Works of Rudyard Kipling http://doktori.bibl.u-szeged.hu/id/eprint/10245/
2020
Tóth Zsuzsanna, Holistic Principles and Motives of Reunion. (Re)enchantment in Philip Pullman’s Religious Fantasy, His Dark Materials http://doktori.bibl.u-szeged.hu/id/eprint/10396/
2021
Hu Ji, Degrowth in American Ecofictions: An Ecocritical Study of Joyce Carol Oates’s The Falls, Don DeLillo’s White Noise, and Edward Abbey’s The Monkey Wrench Gang – With A Comparison of A Chinese Ecofiction: Jiang Rong’s Wolf Totem.
Al-Ahmedi, Mustafa Wshyar Abdullah, The Representation of Violence in Khaled Hosseini’s Novels http://doktori.bibl.u-szeged.hu/id/eprint/10854/
2022
András Fodor, Fantastic Place and Space in China Miéville’s Fiction. Rhetorics of Emancipatory Spatial Changes in the Miévillean New Weird https://doktori.bibl.u-szeged.hu/id/eprint/10943/
Ahmed Seif Eddine Nefnouf, Shadism and Female Resistance in Toni Morrison’s Novels https://doktori.bibl.u-szeged.hu/id/eprint/11302/
2023
Amira Aloui, Towards a Poelitics of the Tragedy of State: The Raison d’État in Shakespeare’s Hamlet and Ben Jonson’s Sejanus His Fall https://doktori.bibl.u-szeged.hu/id/eprint/11709/
Hogar Najm Abdullah, African American Masculinities in Ann Petry’s Oeuvre https://doktori.bibl.u-szeged.hu/id/eprint/11746/
Kiyotaka Sueyoshi, Walt Whitman’s poetic-political experiment: Jeffersonian Whitman and Whitman’s olfactory tropes https://doktori.bibl.u-szeged.hu/id/eprint/11656/
Shreya Bera, The Diasporic Sublime in the Works of Bharati Mukherjee, Jhumpa Lahiri, and Chitra Banerjee Divakaruni
https://doktori.bibl.u-szeged.hu/id/eprint/11547/
Check our online repository for the full list of Doctoral Dissertations defended at University of Szeged:
https://u-szeged.hu/doctoral/defenses-dissertations/defenses-dissertations