{"id":68,"date":"2021-02-09T15:37:17","date_gmt":"2021-02-09T15:37:17","guid":{"rendered":"http:\/\/www.ieas-szeged.hu\/litphd\/?page_id=68"},"modified":"2025-10-29T14:16:59","modified_gmt":"2025-10-29T14:16:59","slug":"defended-dissertations","status":"publish","type":"page","link":"https:\/\/www.ieas-szeged.hu\/litphd\/students\/defended-dissertations\/","title":{"rendered":"Defended Dissertations"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>DOCTORAL DISSERTATIONS DEFENDED IN OUR PROGRAMME:<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">2000<\/h4>\n\n\n\n<p>Annus Ir\u00e9n. <em>The Structuration of Mormon Identity<\/em>. <br><a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4314\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4314\/<\/a><\/p>\n\n\n\n<p>Bajner M\u00e1ria. <em>Text and Gender in Charlotte Bronte\u2019s Novels<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4312\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4312\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2001<\/h4>\n\n\n\n<p>Cristi\u00e1n R\u00e9ka M\u00f3nika. <em>Interface Semiotics in the Dramaturgy of Tennessee Williams and Edward Albee<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4760\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4760\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2004<\/h4>\n\n\n\n<p>Kop\u00e1r Lilla. <em>The Iconography of Viking-age Stone Sculptures: Visual Evidence of Religious Accomodation in the Anglo-Scandinavian Communities of Northern England<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/90\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/90\/<\/a><\/p>\n\n\n\n<p>Kov\u00e1cs \u00c1gnes Zs\u00f3fia. <em>The Power of Imagination: A Contextual Model of Understanding Henry James <\/em><a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/98\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/98\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2005<\/h4>\n\n\n\n<p>Matuska \u00c1gnes. <em>The Vice Device: Iago and Lear\u2019s Fool as Agents of Representational Crisis<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/283\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/283\/<\/a><\/p>\n\n\n\n<p>Michael Matthew Kaylor.&nbsp;<em>Sanctus Paederasta: A Consideration of the Major Uranians: Hopkins, Pater, Wilde, Johnson and Dolben<\/em>&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/doktori.bibl.u-szeged.hu\/279\/\" target=\"_blank\">http:\/\/doktori.bibl.u-szeged.hu\/279\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2006<\/h4>\n\n\n\n<p>Anna K\u00e9rchy, <em>Self-freakings. Body-Texts in Angela Carter&#8217;s Trilogy<\/em>: <em>Feminist Grotesque Bodies, Fictionalized Identities, and Somatized Narratives<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/487\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/487\/<\/a><\/p>\n\n\n\n<p>R\u00f3bert P\u00e9ter, <em>The Mysteries of English Freemasonry: Janus-Faced Masonic Ideology and Practice between 1696 and 1815<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/483\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/483\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2007<\/h4>\n\n\n\n<p>Mikl\u00f3s P\u00e9ti. <em>Hom\u00e9rosz-\u00e9rtelmez\u00e9sek a 16.-17. sz\u00e1zadi angol irodalomban<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/5343\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/5343\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2010<\/h4>\n\n\n\n<p>Zs\u00f3fia Anna T\u00f3th, <em>The Merry Murderers. The Farcical Re(figuration) of the Femme Fatale in Maurine Dallas Watkins&#8217; &#8220;Chicago&#8221; and its Various Adaptations<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/9094\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/9094\/<\/a><\/p>\n\n\n\n<p>P\u00e9ter Bocsor P\u00e9ter.&nbsp;<em>Paradigms of Authority in the Carver Canon.<\/em>&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/doktori.bibl.u-szeged.hu\/611\/\" target=\"_blank\">http:\/\/doktori.bibl.u-szeged.hu\/611\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2011<\/h4>\n\n\n\n<p>Zolt\u00e1n Dragon, <em>Tennesse Williams Hollywoodba megy, avagy a dr\u00e1ma \u00e9s a film dial\u00f3gusa. (Tennessee Williams goes to Hollywood: Dialogue between Drama and Film)<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/659\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/659\/<\/a><\/p>\n\n\n\n<p>Hegyi P\u00e1l: <em>Feh\u00e9r terek: Paul Auster recepci\u00f3ja a korai m\u0171vek t\u00fckr\u00e9ben<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/735\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/735\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2012<\/h4>\n\n\n\n<p>Larisa Z\u00e1mb\u00f3n\u00e9 Kocic, <em>Protean Vicissitude and Milton&#8217;s Paradise Lost <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/1438\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/1438\/<\/a><\/em><\/p>\n\n\n\n<p>Gergely Nagy.<em> \u2019Ye olde authour\u2019 Tolkien\u2019s Anatomy of Tradition in the Silmarillion <\/em><a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/1515\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/1515\/<\/a><\/p>\n\n\n\n<p>Nora Borthaiser, <em>Performing New Cosmos: Enviromental Matters and Disability Issues in Disney&#8217;s Animations between 1990-2010<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/1464\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/1464\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2013<\/h4>\n\n\n\n<p>Bern\u00e1th Andr\u00e1s.&nbsp;<em>Hamlet, the Ghost and the Model Reader &#8211; The Problems of the Reception and a Concept of Shakespeare\u2019s Hamlet.<\/em>&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/doktori.bibl.u-szeged.hu\/2315\/\" target=\"_blank\">http:\/\/doktori.bibl.u-szeged.hu\/2315\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2014<\/h4>\n\n\n\n<p>Csaba Maczelka. <em>The Uses of Paratextuality and Dialogicity in Early Modern Utopias<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2210\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2210\/<\/a><\/p>\n\n\n\n<p>Anik\u00f3 Oroszl\u00e1n. &#8220;<em>Floute me, Ile floute thee; it is my profession&#8221; &#8211; Early Modern Improvisation as Resistance.<\/em>&nbsp;&nbsp;<a href=\"http:\/\/doktori.bibl.u-szeged.hu\/2053\/\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/doktori.bibl.u-szeged.hu\/2053\/<\/a><\/p>\n\n\n\n<p>Bence Sarkadi. <em>Shakespeare on the Puppet Stage. The Representational Perspecctives and Limits of Adaptation in the Contemporary Puppet Theatre<\/em> &nbsp;<a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2438\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2438\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2015<\/h4>\n\n\n\n<p>Cset\u00e9nyi Korinna, <em>The Metafictional Narrativization of the Traumatized Body and Monstrous Femininity in Stephen King&#8217;s Horror Fiction<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2689\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2689\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2016<\/h4>\n\n\n\n<p>Makai P\u00e9ter Krist\u00f3f, <em>Bridging the Empathy Gap \u2013 Contemporary Autism Novels<\/em>. <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2876\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/2876\/<\/a><\/p>\n\n\n\n<p>Thomas \u00c9va.&nbsp; <em>Grotesque in Use: Shakespearean Grotesques in German Theatre Performances.<\/em>&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/doktori.bibl.u-szeged.hu\/2914\/\" target=\"_blank\">http:\/\/doktori.bibl.u-szeged.hu\/2914\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2017<\/h4>\n\n\n\n<p>T\u00f3th Andrea, <em>Elmozdul\u00f3 jelent\u00e9sek \u2013 A feminista irodalomkritika fogalmainak \u00fajragondol\u00e1sa az \u00c9jszakai \u00e1llatkert \u00e9s a Szomjas o\u00e1zis recepci\u00f3j\u00e1nak t\u00fckr\u00e9ben<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4113\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4113\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2019<\/h4>\n\n\n\n<p>Farmasi Lilla, <em>Storytelling and the Perceptions of the Embodied Mind: Space and Movement in Narratives<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10314\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10314\/<\/a><\/p>\n\n\n\n<p>Nyikos D\u00e1niel \u00c1rp\u00e1d, <em>Colonizing Cynicism in the Works of Rudyard Kipling <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10245\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10245\/<\/a><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2020<\/h4>\n\n\n\n<p>T\u00f3th Zsuzsanna, <em>Holistic Principles and Motives of Reunion. (Re)enchantment in Philip Pullman&#8217;s Religious Fantasy, His Dark Materials <\/em><a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10396\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10396\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2021<\/h4>\n\n\n\n<p>Hu Ji, <em>Degrowth in American Ecofictions: An Ecocritical Study of Joyce Carol Oates&#8217;s <\/em>The Falls<em>, Don DeLillo&#8217;s <\/em>White Noise<em>, and Edward Abbey&#8217;s <\/em>The Monkey Wrench Gang<em> &#8211; With A Comparison of A Chinese Ecofiction: Jiang Rong&#8217;s <\/em>Wolf Totem<em>.<\/em><\/p>\n\n\n\n<p>Al-Ahmedi, Mustafa Wshyar Abdullah, <em>The Representation of Violence in Khaled Hosseini&#8217;s Novels<\/em> <a href=\"http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10854\/\">http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10854\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2022<\/h4>\n\n\n\n<p>Andr\u00e1s Fodor, <em>Fantastic Place and Space in China Mi\u00e9ville\u2019s Fiction. Rhetorics of Emancipatory Spatial Changes in the Mi\u00e9villean New Weird<\/em> <a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10943\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/10943\/<\/a><\/p>\n\n\n\n<p>Ahmed Seif Eddine Nefnouf, <em>Shadism and Female Resistance in Toni Morrison&#8217;s Novels<\/em> <a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11302\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11302\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2023<\/h4>\n\n\n\n<p>Amira Aloui, <em>Towards a Poelitics of the Tragedy of State: The Raison d&#8217;\u00c9tat in Shakespeare&#8217;s Hamlet and Ben Jonson&#8217;s Sejanus His Fall<\/em> <a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11709\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11709\/<\/a><\/p>\n\n\n\n<p>Hogar Najm Abdullah, <em>African American Masculinities in Ann Petry\u2019s Oeuvre<\/em> <a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11746\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11746\/<\/a><\/p>\n\n\n\n<p>Kiyotaka Sueyoshi, <em>Walt Whitman\u2019s poetic-political experiment: Jeffersonian Whitman and Whitman\u2019s olfactory tropes<\/em> <a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11656\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11656\/<\/a><\/p>\n\n\n\n<p>Shreya Bera, <em>The Diasporic Sublime in the Works of Bharati Mukherjee, Jhumpa Lahiri, and Chitra Banerjee Divakaruni<\/em> <br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11547\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11547\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2024<\/h4>\n\n\n\n<p>Mike Laura, <em>Collective Trauma in Early Modern English Revenge Tragedy<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11958\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11958\/<\/a><\/p>\n\n\n\n<p>Khanim Garayeva, <em>Different Attitudes to Esotericism in Peter Ackroyd&#8217;s and Dan Brown&#8217;s Novels<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11977\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/11977\/<\/a><\/p>\n\n\n\n<p>Rusvai M\u00f3nika, <em>The Wood Within: The Fantastic in Robert Holdstock&#8217;s Mythago Novels and the Renegotiation of Human\u2013Plant Relations<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12030\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12030\/<\/a><\/p>\n\n\n\n<p>Szab\u00f3 Helga, <em>American Film Criticism in the Age of the World Wide Web<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12345\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12345\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">2025<\/h4>\n\n\n\n<p>Berraf Hana Lina Dalel, <em>Re-creational Eyewitnessing and the Representation of the Me Too Movement in Contemporary American Films<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12572\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12572\/<\/a><\/p>\n\n\n\n<p>Saidi Amira Rihab, <em>Filmic Representations of Contemporary American Masculinity in Crisis: The Joker Figure<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12600\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12600\/<\/a><\/p>\n\n\n\n<p>Stefanovi\u0107 Armin, <em>Reifying Consciousness: A Biocultural Perspective of Supernatural Storytelling in the Harry Potter Universe<\/em><br><a href=\"https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12654\/\">https:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/12654\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Check our online repository for the full list of Doctoral Dissertations defended at University of Szeged: <\/strong><br><a href=\"https:\/\/u-szeged.hu\/doctoral\/defenses-dissertations\/defenses-dissertations\"><strong>https:\/\/u-szeged.hu\/doctoral\/defenses-dissertations\/defenses-dissertations<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>DOCTORAL DISSERTATIONS DEFENDED IN OUR PROGRAMME: 2000 Annus Ir\u00e9n. The Structuration of Mormon Identity. http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4314\/ Bajner M\u00e1ria. Text and Gender in Charlotte Bronte\u2019s Novels http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4312\/ 2001 Cristi\u00e1n R\u00e9ka M\u00f3nika. Interface Semiotics in the Dramaturgy of Tennessee Williams and Edward Albee http:\/\/doktori.bibl.u-szeged.hu\/id\/eprint\/4760\/ 2004 Kop\u00e1r Lilla. The Iconography of Viking-age Stone Sculptures: Visual Evidence of Religious Accomodation&hellip; <a class=\"more-link\" href=\"https:\/\/www.ieas-szeged.hu\/litphd\/students\/defended-dissertations\/\">Continue reading <span class=\"screen-reader-text\">Defended Dissertations<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":55,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-68","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":8,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":271,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/68\/revisions\/271"}],"up":[{"embeddable":true,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/55"}],"wp:attachment":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/media?parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}