{"id":53,"date":"2021-02-09T15:07:22","date_gmt":"2021-02-09T15:07:22","guid":{"rendered":"http:\/\/www.ieas-szeged.hu\/litphd\/?page_id=53"},"modified":"2025-10-30T12:48:27","modified_gmt":"2025-10-30T12:48:27","slug":"current-students","status":"publish","type":"page","link":"https:\/\/www.ieas-szeged.hu\/litphd\/students\/current-students\/","title":{"rendered":"Current Students"},"content":{"rendered":"\n<p><strong>Current PhD Students and Projects as of 2023 Fall<\/strong><\/p>\n\n\n\n<p><strong>1st year<\/strong><br><div class=\"tmm tmm_first-year\"><div class=\"tmm_3_columns tmm_wrap tmm_plugin_f\"><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_first-year_0\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2025\/10\/kocsis_zoltan.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Zolt\u00e1n<\/span> <span class=\"tmm_lname\">Kocsis<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">The Virtualization of the Subject from the Early Modern to the Posthuman<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Em\u0151ke<\/span> <span class=\"tmm_lname\">\u00c1goston<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">The Role of White and Black Women in The Great Awakening (1730s-1740s)<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Gr\u00e9ta<\/span> <span class=\"tmm_lname\">Gr\u00e9ta<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Vall\u00e1si szimbolizmus \u00e9s egyh\u00e1zi tematika az angolsz\u00e1sz filmkult\u00far\u00e1ban<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><\/div><span class=\"tmm_columns_containers_desktop\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_first-year_3\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2025\/10\/Katar-el-Nada-Ardjouni.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Ardjouni Kattar el<\/span> <span class=\"tmm_lname\">Nada<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Follicular Narratives: The Power of Afro Hair in Selected Contemporary Literature by Black Women<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Fatemeh<\/span> <span class=\"tmm_lname\">Ahmadi<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Diachronic Metalepsis in Cinema<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div style=\"clear:both;\"><\/div><\/div><\/div><\/div><\/p>\n\n\n\n<p><strong>2nd year<\/strong><br><div class=\"tmm tmm_second-year\"><div class=\"tmm_3_columns tmm_wrap tmm_plugin_f\"><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_second-year_0\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2025\/10\/Amira-Khouloud-Abed.jpeg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Amira Khouloud<\/span> <span class=\"tmm_lname\">Abed<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Transgenerational Trauma and Memory in Afro-American Women's Writing<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Sebastian Jhoan<\/span> <span class=\"tmm_lname\">Hernandez<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Collective Trauma in American and Colombian Cinema<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Zaid<\/span> <span class=\"tmm_lname\">Abunajim<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Embodied Villainy: A Semiotic Exploration of Shakespearean Antagonism in Contemporary RSC Productions<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div style=\"clear:both;\"><\/div><\/div><\/div><\/div><\/p>\n\n\n\n<p><strong>3rd year<\/strong><br><div class=\"tmm tmm_third-year\"><div class=\"tmm_3_columns tmm_wrap tmm_plugin_f\"><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">-<\/span> <span class=\"tmm_lname\">-<\/span><\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div style=\"clear:both;\"><\/div><\/div><\/div><\/div><\/p>\n\n\n\n<p><strong>4th year<\/strong><br><div class=\"tmm tmm_fourth-year\"><div class=\"tmm_3_columns tmm_wrap tmm_plugin_f\"><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_fourth-year_0\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2023\/01\/KajtarPinjungOlga.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Olga<\/span> <span class=\"tmm_lname\">Kajt\u00e1r-Pinjung<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Self-Fashioning and Enemy Image Construction in Mohamedou Ould Slahi\u2019s Guant\u00e1namo Diary<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_fourth-year_1\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2023\/01\/SzokolyaiDora.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">D\u00f3ra<\/span> <span class=\"tmm_lname\">Szokolyai<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Queering the Romance Quest in Jeanette Winterson's Oeuvre<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div style=\"clear:both;\"><\/div><\/div><\/div><\/div><\/p>\n\n\n\n<p><strong>ABD<\/strong> (All But Dissertation\/Defense)<br><div class=\"tmm tmm_abd-all-but-dissertation-defense\"><div class=\"tmm_3_columns tmm_wrap tmm_plugin_f\"><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_abd-all-but-dissertation-defense_0\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2021\/10\/SzarvasReka.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">R\u00e9ka<\/span> <span class=\"tmm_lname\">Szarvas<\/span><\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_abd-all-but-dissertation-defense_1\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2021\/12\/AyaChelloul.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Aya<\/span> <span class=\"tmm_lname\">Chelloul<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Literary Representations of Gender Roles in the MENA Region<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><span class=\"tmm_two_containers_tablet\"><\/span><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_abd-all-but-dissertation-defense_2\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2021\/10\/OsoliovaViktoria.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">Vikt\u00f3ria<\/span> <span class=\"tmm_lname\">Osoliova<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Female Gothic: Corporeal Narratology and Feminist Hauntology<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><\/div><span class=\"tmm_columns_containers_desktop\"><\/span><div class=\"tmm_container\"><div class=\"tmm_member\" style=\"border-top:#333333 solid 5px;\"><div class=\"tmm_photo tmm_pic_abd-all-but-dissertation-defense_3\" style=\"background: url(http:\/\/www.ieas-szeged.hu\/litphd\/wp-content\/uploads\/2021\/10\/SzantoBalint.jpg); margin-left: auto; margin-right:auto; background-size:cover !important;\"><\/div><div class=\"tmm_textblock\"><div class=\"tmm_names\"><span class=\"tmm_fname\">B\u00e1lint<\/span> <span class=\"tmm_lname\">Sz\u00e1nt\u00f3<\/span><\/div><div class=\"tmm_desc\" style=\"text-align:\">Fictional Universes in the Digital Age: Multiplicity, Canonicity, and Fandom in Star Wars and Marvel<\/div><div class=\"tmm_scblock\"><\/div><\/div><\/div><div style=\"clear:both;\"><\/div><\/div><\/div><\/div><br><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Current PhD Students and Projects as of 2023 Fall 1st year 2nd year 3rd year 4th year ABD (All But Dissertation\/Defense)<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":55,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":23,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":276,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/53\/revisions\/276"}],"up":[{"embeddable":true,"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/pages\/55"}],"wp:attachment":[{"href":"https:\/\/www.ieas-szeged.hu\/litphd\/wp-json\/wp\/v2\/media?parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}